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ARTURO DEL CASTILLO
Arturo del Castillo was born in Concepcion, Chile on 21st March 1925. He started work for a publicity agency, but after a long correspondance with his brother (comic artist Jorge Perez del Castillo) he moved to Buenos Aires in 1948 where he got a job as a letterer on the comic weekly Aventuras. A year later, del Castillo was drawing for two revues, Intervalo and El Tony, with a series of different comic strips.
His most famous creation, however, was Randall: The Killer, a western strip, which he began in 1957 for Hora Cero and which was scripted by Hector Oesterheld.
He quickly became famous for his skillful and detailed penwork, and in particular for his cross-hatching technique. In the late 1950s, del Castillo drew a number of comic strip adaptations of Alexandre Dumas' novels, such as The King's Musketeers, which first appeared in Film Fun and was then reprinted in Lion Comic, and The Man in the Iron Mask that also appeared in Fleetway's Lion Comic. However, his main subject and greatest love, was always that of the western. One of his earliest western characters - Ringo - appeared in the last three editions of Top Spot (January 2nd, 9th and 16th 1960). Whilst Dan Dakota - Lone Gun appeared in Ranger comic. He also contributed at least one story to Cowboy Picture Library - CPL 467: Ghost Town.
In the mid-sixties, he participated in the "Bande Dessinée et figuration narrative" exhibition in Paris. The exhibition was held at the Musée d'Art at the Louvre.
Del Castillo refined his graphic style even further and other important works followed. By the 1960's he was producing westerns: Garret (1962 - scripts by Ray Collins: pseudonym of Argentinian writer Eugenio Zappietro); Dan Dakota, Kendall (sheriff of Dodge City) , Larrigan (reprinted in both Fleetway's Lone Rider Picture Library and Cowboy Picture Library nos. 455, 463, 467), and Los tres mosqueteros en el Oeste. In 1974, again with Ray Collins he created El Cobra, and with Oesterheld Loco Sexton. Arturo del Castillo retired in 1989 and died in Buenos Aires in 1992.
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FERNANDO FERNANDEZ
Fernandez was born in Barcelona, Spain in 1940. In 1956 Fernandez joined the well known Spanish agency Selecciones Illustradas, at the age of 16. From 1958 through 1964 Fernandez worked on war comics (including Air Ace and War Picture Library) and romance comics (including Valentine, Roxy and Marilyn) for British publishers. He also paintedcovers for paperbacks and picture libraries like Commando and Chiller. Fernandez left the comics industry for a period of time in the 1960's, returning in 1970. He drew the strip Mosca from 1970 to 1973.[1]
Fernandez started working for Warren Publishing in 1973 due to his connections with Selecciones Illustradas. Unlike many of the Spanish artists from S.I., Fernandez both wrote and drew his stories. During his period with Warren from 1973 to 1975 a total of 11 of these stories were made, all of which were published in Vampirella (issues 28-32,35-6,40-3). The story Rendezvous (issue 35) was included in a list of the top 25 Warren stories of all time in the book The Warren Companion by author David A. Roach. Fernandez won a Warren Award in 1975 for Best Artist/Writer on the story Goodbye My Love, Goodbye (issue 41). An additional story written by Fernandez, but drawn by Jose Miralles appeared in issue 57 of Vampirella in 1977. Warren would later reprint three additional Fernandez stories originally done in Spain in Eerie in 1978 (issue 94), 1980 (issue 117) and 1981 (issue 118).
After Warren, Fernandez worked on french educational comics for Afha as well as the Cuando el Comic es Arte series for Jose Toutain. He also worked on the series Circulos in 1979 and Zora y los Hibernautas in 1980, which would later be reprinted in the U.S. in the magazine Heavy Metal. In 1982 he drew the comic version of Bram Stoker's Dracula for the Spanish edition of Creepy.[1] He adapted Isaac Asimov stories in 1983 for the book Firmado por: Isaac Asimov, and collaborated with Carlos Trillo to create the medieval fantasy La Leyenda de las Cuatro Sombras for Zona 84.
He would later adapt Asimov again with Lucky Star in 1989. Fernandez eventually left the comics field in the 1990s to focus exclusively on painting.
http://en.wikipedia.org/wiki/Fernando_Fernandez_(comics)
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HORACIO ALTUNA
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